Posted 08.02.12 in Workshop
Write a poem filling in the history of the unknown portrait. You could write it from the point of view of the man in the portrait, or from the point of view of the artist, or from the point of view of the painting itself. Who was he? You might want to think about whether he had family? Did he have friends? Why was he painted? Where did he sit to be painted? Why is he smiling and what is he looking at?
Look at the portrait carefully; you can see it here. Or why not visit the National Portrait Gallery and have a look for other portraits of unknown sitters? You can apply Ross’s questions to other paintings too. Listen again to Ross’s video and think about how you might answer his questions. Your final poem doesn’t need to answer them, they are ideas to help you start writing and you may prefer leave them out of your final draft.
Why not submit your responses to one of the publications or competitions listed on our Poetry Map?
When the challenge first opened it coincided with the exhibition Imagined Lives: Portraits of Unknown People at the National Portrait Gallery. The challenge was to write a poem specifically on the painting in the video (and linked to above). Ross chose six winning poems by Upasna Saha, Helen Zhou Huiwen, Amy Carter, Rhiannon Shaw, David Carey and Juan David Romero, which you can read here:
The National Portrait Gallery worked with poet Ross Sutherland on a free project for young people aged 14-21 between 13-15 February.
Find out more about Young People’s Programmes at the National Portrait Gallery.
Ekphrasis is process of using one artwork as the inspiration for another. Traditionally ekphrasis meant giving a voice, either dramatic or poetic, to visual art. In fact the word comes from the Greek, “phrasis” meaning “speak” and “ek” meaning “out”. However the term is now used more widely to cover a range of art forms, from painting to computer games!
One of the most famous examples of ekphrasis is John Keats’s Ode to a Grecian Urn, in which Keats draws on the fixed beauty of an ancient urn to think about the constant change in life.
|Ross Sutherland was born in Edinburgh in 1979. He was included in The Times’s list of Top Ten Literary Stars of 2008. He has published three collections of poetry: Things To Do Before You Leave Town (2009), Twelve Nudes (2010), and Hyakuretsu Kyaku (2011), all published by Penned In The Margins. Ross is also a member of the poetry collective Aisle16 with whom he runs Homework, an evening of literary miscellany in East London.|
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